After being unceremoniously forced into early retirement at the age of 64, Detective Inspector Hulda Hermannsd ttir of the Reykjavik Police is refusing to go quietly.
Hulda is told to pick a cold case to investigate for two more weeks and she knows just the one. A young woman found dead on the seaweed-covered rocks of the Vatnsleysustrond. A woman who had come to Iceland in search of refuge and found only a watery grave. Her death was ruled a suicide after a slapdash investigation.
But when Hulda starts to ask questions she soon realises that there was something far darker to this case. That this was not the only young woman to disappear from the hostel where the asylum seekers waited for their judgement and that no one is telling the whole story. And that if she uncovers something she shouldn't her own life might be in danger.
A classic crime story seen through a uniquely Icelandic lens... first rate and highly recommended -- Lee Child, on * Snowblind * A modern take on Agatha Christie---style mystery, as twisty as any slalom . . . -- Ian Rankin, on * Snowblind * Ragnar Jonasson writes with a chilling, poetic beauty - a must-read addition to the growing canon of Iceland Noir -- Peter James His clues are traditional and beautifully finessed - and he keeps you turning the pages * The Independent on Snowblind * Distinctive blend of Nordic noir and golden age detective fiction...atmospheric...economical and evocative prose * The Guardian on Nightblind * Seductive ... an old-fashioned murder mystery with a strong central character and the fascinating background of a small Icelandic town cut off by snow. Ragnar does claustrophobia beautifully -- Ann Cleeves The ending hits the reader like a kick in the stomach * FRETTATIMINN **** * Jonasson's books have breathed new life into Nordic noir ...all the skilful plotting of an old-fashioned whodunit although it feels bitingly contemporary in setting and tone * Sunday Express * The threads lie in various places, the plot is well woven and the pieces in the puzzle come together well in the end. The structure is good, the main characters are believable, the story flows well, everyone is a suspect a la Agatha Christie and the solution unveils the mystery and leads the readers to the truth. But not all the truth, as some things are better left hidden * Morgunbladid (Icelandic newspaper) * Hulda Hermannsdottir is a welcome addition to the selection of Icelandic crime fiction protagonists . . . It is almost impossible to put the book down until the last word has been read * Frettabladid **** * The threads lie in various places, the plot is well woven and the pieces in the puzzle come together well in the end. The structure is good, the main characters are believable, the story flows well, everyone is a suspect a la Agatha Christie and the solution unveils the mystery and leads the readers to the truth. But not all the truth, as some things are better left hidden * Morgunbladid **** on The Island * Out of all of Ragnar's books, this is the one I like the most . . . The book of his which reminds me most of Agatha Christie * Kiljan, on The Island * A very good book, gripping and interesting, with all the threads carefully managed. Hopefully the author will publish as many books as possible with lead character Hulda * Vikan Magazine, on The Island *