A Girl is a Half-Formed Thing
Winner of numerous literary awards including the Baileys Women's Prize for Fiction, the Geoffrey Faber Memorial Prize, and the Goldsmiths Prize, Eimear McBride's debut novel A Girl Is a Half-formed Thing plunges us into the psyche of a girl with breathtaking fury and intimacy. Adapted for the stage by Annie Ryan for The Corn Exchange, Eimear McBride's A Girl Is a Half-formed Thing premiered at the Dublin Theatre Festival 2014.
* Interviews in newspapers such as Age, Sydney Morning Herald, Courier Mail and the NZ Herald * Reviews in newspapers across Australia and New Zealand * Reviews in literary magazines and journals such as Australian Book Review, Monthly and the Listener * Interviews on radio programs such as Radio National's Life Matters and Radio NZ Saturday's with Kim Hill * Widespread online review coverage * Early reading copies available to the trade * Promotions and giveaways with targeted subscriber groups, including book lovers such as the CAE and Good Reading * Banner advertising on bookseller websites * Feature title in Text newsletters and website
Winner of Baileys Prize for Women's Fiction 2014 Winner of The Desmond Elliott Prize for debut novelist 2014 Winner of Kerry Group Irish Fiction Award 2014 Winner of Goldsmiths Prize 2013. Shortlisted for Folio Prize 2014 Guardian First Book Award 2013.
'Unforgettable...Eimear McBride is a writer of remarkable power and originality.' Times Literary Supplement
'Eimear McBride's ferociously intense and stylistically challenging account of a young girl's coming-of-age in rural Ireland is an astonishing literary debut...bracingly alive with sardonic humour and brilliantly realised set-pieces...A remarkable achievement.' Irish Independent
'Beautifully-produced...immensely impressive.' Guardian
'She is definitely a genius...Truth-spilling, uncompromising and brilliant prose...An instant classic.' -- Anne Enright Guardian
'Remarkable, harshly satisfying first novel.' London Review of Books
'The author's use of language is so unique, so instantly inimitable that McBridean deserves to be an adjective...The writing has its forebears. Virginia Woolf springs to mind in its interiority, James Joyce and Samuel Beckett in its expression of fragmented consciousness.' New Humanist